Her open face has the ability to embody a spectrum of triggers of the human psyche. Standout scenes include Milla bringing Moses to a chaotic family dinner where her mother is accidentally high and incapacitated on a cocktail of prescription drugs in another, Henry and Anna question their parenting skills as they witness rat-tailed Moses playfully strong-arming Milla to the floor, straddling her as he tickles her.Īnd Australian actor Eliza Scanlen is mesmerising. Cliché-free and never veering on saccharine, it is tear-chokingly heartbreaking, unexpectedly poetic and chock-full of pitch-black laughs. Helmed by theatre director Shannon Murphy from a script that playwright Rita Kalnejais adapted from her play of the same title, Babyteeth takes a hackneyed premise (sick teen falls in love, thus allowing them to make peace with their grave situation) and offers something completely refreshing. But that isn’t her reality in this unforgettable coming-of-age film, which follows terminally ill 16-year-old Milla (Scanlen), who falls in love with erratic tattooed junkie Moses (Toby Wallace) – all while her parents Henry (Ben Mendelsohn) and wife Anna (Essie Davis) navigate this unchartered territory. She dances with the unabashed fervour of a teenage girl without a problem in the world. There is a moment in Babyteeth where Eliza Scanlen cranks up the music (the spirited strings of Sudan Archives’ “Come Meh Way” cuts through to the soul), rippling her body, limbs akimbo, shoulders undulating, her feet kinetic on the carpet.
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